Vol. 4 No. 1 (2024): People
Articles

Bonding People Through Storytelling: Community, Humor and the Porch in Gloria Naylor’s "Mama Day"

Published 2024-07-29

Keywords

  • storytelling,
  • community,
  • cultural memory,
  • porch,
  • dialogism

How to Cite

Bonding People Through Storytelling: Community, Humor and the Porch in Gloria Naylor’s "Mama Day". (2024). Papers in Arts and Humanities, 4(1). https://doi.org/10.52885/w28y3073

Abstract

The present article will examine the African American porch as the nexus of the community  and the stage upon which the Black oral tradition becomes art and people, active participants in the recreation of communal ties. We will cast an in-depth look at the porch actors and their performance as depicted in Gloria Naylor’s Mama Day. The analysis of the porch as an intermediary site opens with a discussion of the origins of this piece of Americana and its crucial cultural function, especially for the African American communities located in the southeastern part of the United States. Several other distinctive attributes of the porch will be identified, all linked to and representative of the community. Ultimately, this article highlights the paramount role of storytelling as a unifying force for a community, through the prism of Naylor’s novel, deemed as a faithful rendition of the Black Southern cultural expression.

References

  1. Ashe, B. D. (2013). From within the frame: Storytelling in African American studies. Routledge.
  2. Bakhtin, M. M. (2010). The dialogic imagination: Four essays. University of Texas Press.
  3. Bauman, R. (1975). Verbal art as performance. American Anthropologist, 77(2), 290–311.
  4. Blassingame, J.W. (1979). The slave community: Plantation life in the antebellum South. Oxford University Press.
  5. Carawan, G., & Carawan, C. (Eds.). (1994). Ain’t you got a right to the tree of life?: The people of Johns Island, South Carolina—Their faces, their words, and their songs. University of Georgia Press.
  6. Christol. H. (1994). Reconstructing American history: Land and genealogy in Gloria Naylor’s “Mama Day.” In Felton S. and Loris. M. (Eds.), The critical response to Gloria Naylor. Greenwood Press.
  7. Davis, T. M. (2011). Southscapes: Geographies of race, region, and literature. University of North Carolina Press.
  8. Dolan, M. (2004). The American porch: An informal history of an informal place. Globe Pequot.
  9. Gates Jr, H. L. (1988). The signifying monkey: A theory of African American literary criticism. Oxford University Press.
  10. Guattari, F., & Deleuze, G. (1987). A thousand plateaus: Capitalism and schizophrenia. University of Minnesota.
  11. Harris, T. (1996). The power of the porch: The storyteller’s craft in Zora Neale Hurston, Gloria Naylor, and Randall Kenan. University of Georgia Press.
  12. Harris, T. (2010). South of tradition: Essays on African American literature. University of Georgia Press.
  13. Hurston, Z. N. (1937). Their eyes were watching God. Indiana University Press.
  14. Johnson, M. E. (2003). The southern porch: A space for storytelling and community building. The Southern Literary Journal, 36(2), 94–112.
  15. Jones-Jackson, P. (2004). When roots die: Endangered traditions on the Sea Islands. University of Georgia Press.
  16. Joseph, P. (2002). The verdict from the porch: Zora Neale Hurston and reparative justice. American Literature, 74(3), 455–483.
  17. Joyce, H. D. (2001). Swinging in place: Porch life in Southern culture. University of North Carolina Press.
  18. Lefebvre, H. (1991). The production of space. Blackwell.
  19. Leichter, D. J. (2012). Collective identity and collective memory in the philosophy of Paul Ricoeur. Études Ricoeuriennes/Ricoeur Studies, 3(1), 114–131.
  20. Mitchell, W. J. (2006). Mama Day’s porch: A space for healing and wisdom. In C. R. Rogers (Ed.), Gloria Naylor’s Fiction: Contemporary explorations of class and capitalism (pp. 112–128). Rutgers University Press.
  21. Montgomery, M. L. (2010). The fiction of Gloria Naylor: Houses and spaces of resistance. University of Tennessee Press.
  22. Mullen, P. B. (2002). Snowing down South: Anomalies of southern folk culture. American Quarterly, 54(3), 507–513.
  23. Myers, W. D. (1996). How Mr. Monkey saw the whole world. Doubleday.
  24. Naylor, G. (1989). Mama Day. Vintage.
  25. Nostrand, R. L., & Estaville, L. E. (Eds.). (2001). Homelands: A geography of culture and place across America. John Hopkins University Press.
  26. Page, P. (2011). Reclaiming community in contemporary African American fiction. University Press of Mississippi.
  27. Pratt, M. L. (2004). The anticolonial past. MLQ: Modern Language Quarterly, 65(3), 443–456.
  28. Pratt, M. L. (2007). Imperial eyes: Travel writing and transculturation. Routledge.
  29. Soja, E. W. (1996). Thirdspace: Journeys to Los Angeles and other real-and-imagined places. Blackwell.
  30. Stepto, R. (1991). From behind the veil: A study of Afro–American narrative. University of Illinois Press.
  31. Vincent, R. M. (2022). Fugitive knowledge and body autonomy in the folklore and literature of Zora Neale Hurston and Gloria Naylor. Journal of Feminist Scholarship, 21(21), 2–10.
  32. Williams, J. R. (1995). The African American porch: A tradition of storytelling. Southern Folklore, 52(1), 5–23.